The
Demand
Consumer demand for media and entertainment with strong moral and
spiritual values has exploded in recent years. In 2001, the # 1 and
2 best-selling fiction books were faith-based stories – Left
Behind and Prayer of Jabez – both written by church pastors.
Religion is listed #1 among the top 16 categories of consumer book
market revenues. According to the Christian Booksellers Association
(CBA), “Religious book sales are expected to grow by 15% per
year, while consumer product sales in general are expected to grow
by less than 9%. We see no cap to the religious category in the general
market; our sales are only limited by our ability to execute.”
Meanwhile, inspirational or “Christian” radio has gone
from a handful of stations 20 years ago to over 1,600 today. Inspirational,
faith-based shows like Touched By An Angel are netting high TV ratings,
and MovieGuide magazine reports that the number of films with strong
biblical themes has skyrocketed over the past decade.
Moreover, Hollywood has a renewed interest in “family” films. “The
family film genre is an area that has great intensity right now,” said
Michael Nathanson, production president for MGM. “Recently the
market has become much more recognized.” (Variety)
And for good reason. A 1999 study commissioned by the Dove Foundation
showed that of the 2,380 films given a wide U.S. release during the
decade ending in 1997, G-rated films yielded the highest gross profit—$94
million on average—while R-rated films earned only $11 million
on average, and PG films earned about $26 million on average.
G-rated family films generated eight times more gross profit than
R-rated films. Not one of the 20 top-grossing feature films of all
time carries an R or NC-17 rating. One industry analyst remarked, “A
studio executive seeking to reduce ‘downside risk’ and
increase ‘upside possibilities’ could do so just by shifting
production dollars out of R-rated movies into G, PG, and PG-13 movies” (Los
Angeles Daily News).
Indeed, films like Shrek, Monsters
Inc., Ice Age, and The Rookie – which
together earned over $800 million in U.S. box office – are heralding
a new trend. “The studios have ramped up their family film slates
for what seems like an insatiable family audience.” (Variety)
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